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Preface
Introduction and Background
List of Abbreviations and References
Part A. Early Biographic Pieces and Emerging Tastes
• Those Birmingham Quietists: J.R.R. Tolkien and J.H. Shorthouse (1834–1903)
• The Oxford Undergraduate Studies in Early English and Related Languages of J.R.R. Tolkien (1913–1915)
• An Important Influence: His Professor’s Wife, Mrs Elizabeth Mary (Lea) Wright
• Trolls and Other Themes – William Craigie’s Significant Folkloric Influence on the Style of J.R.R. Tolkien’s The Hobbit
• Homo Ludens — Amusement, Play and Seeking in Tolkien’s earliest Romantic Thought
• Edith, St. Edith of Wilton and the other English Western Saints
Part B. The Young Professor and his Early Publishing
• Tolkien and George Gordon: or, A Close Colleague and His notion of ‘Myth-maker’ and of Historiographic Jeux d’Esprit
• J.R.R. Tolkien: Lexicography and other Early Linguistic Preferences
• The Work and Preferences of the Professor of Old Norse at the University of Oxford from 1925 to 1945
• The Poem ‘Mythopoeia’ as an Early Statement of Tolkien’s Artistic and Religious Position
• Tolkien’s Concept of Philology as Mythology
• By ‘Significant’ Compounding “We Pass Insensibly into the World of the Epic”
• Barrow-wights, Hog-boys and the evocation of The Battle of the Goths and Huns and of St. Guthlac
• Dynamic Metahistory and the Model of Christopher Dawson
• Folktale, Fairy Tale, and the Creation of a Story
• The Wild Hunt, Sir Orfeo and J.R.R. Tolkien
• Mid-Century Perceptions of the Ancient Celtic Peoples of ‘England’
• Germanic Mythology Applied – the Extension of the Literary Folk Memory
• Perilous Roads to the East, from Weathertop and through the Borgo Pass
• Before Puck – the Púkel-men and the puca
Appendix. Othin in England – Evidence from the Poetry for a Cult of Woden in Anglo-Saxon England
Bibliography
Index
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