TL. Dear Jemima Catlin, it is so nice to be able to talk with you about your illustrations for The Hobbit! But can you first tell us a bit more about yourself?

I was born in Dorchester, Dorset UK in 1986. I have always wanted to be an illustrator from a very young age and began writing my own stories and illustrating them from the age of 8. I come from quite a creative background; my Mother is an artist and writer, and my Father is a professional photographer. After A levels I studied a Foundation Diploma in Art and Design at Weymouth College, and then went on to do a Foundation Degree in Visual Communication at the Arts University at Bournemouth, followed by a BA Honours Degree in Illustration.

TL. When did you get into touch with tolkien's works for the first time?  

I first read The Hobbit when I was 12 and I loved it - I couldn't put it down! My Grandfather was a Tolkien book collector, and it is sad he wasn't around to see that I illustrated The Hobbit. The first ever Middle Earth inspired drawing I did was for my sister's wedding table plan in 2008; I drew two huge Ent's with the table names at the ends of the branches. Then when I was at university, I decided to illustrate the short story Roverandom by J R R Tolkien for my final major project.

TL. I have read you started out by illustrating another tale by Tolkien, namely Roverandom. Why did you choose to illustrate this small tale?

I found the varying environments and unusual characters in Roverandom very inspiring, I really enjoyed illustrating it. Being a short story, it was the perfect length for my project as we only had 3 months to complete it. I illustrated it using monoprint techniques, which involves drawing on a piece of paper placed over a sheet of glass covered in printing ink, the drawing is then picked up by the ink on the other side of the paper creating a reverse image. The result is a lot less detailed than conventional ways of drawing, but adds spontaneity and movement to the illustrations.

TL. In the end we did not get an illustrated edition of Roverandom but a new illustrated edition of the Hobbit, there must for sure be a fascinating story behind this?

I sent an email to Harpercollins with a few samples of my drawings for Roverandom attached, asking if they could send me the text so that I could bind a book with my illustrations in for my university project. David Brawn, Publishing Director of Estates at HarperCollins, kindly sent me the text and commented on the drawings, inviting me to the offices to show him the book once I had finished. I was incredibly excited by the prospect of showing my project to David and arranged an appointment straight away once I had completed binding the book. During the meeting, David was very interested in the work and sent several samples to the Tolkien Estate. Christopher Tolkien replied to David and spoke very warmly of my illustrations, but wasn't sure that this particular monoprint style suited his fathers tale. A whole year later, David contacted me saying that Christopher Tolkien and his wife Baillie had admired some of my more detailed drawings on my website and were interested in what my interpretation for The Hobbit may be like. I was invited up to HarperCollins offices again, but this time to discuss the possibility of creating a children's edition of The Hobbit!

TL. Your style is very different from for example Alan Lee, the previous illustrator of the Hobbit. How would you describe your own style?

I love Alan Lees illustrations, the detail and accuracy is amazing.  My illustrations for The Hobbit needed to appeal to children as well as adults, and I was strongly influenced by tolkien's own drawings. tolkien's descriptions in The Hobbit are full of colour, light and atmosphere, and I tried to capture this in my illustrations.

TL. Do you think that this illustrated edition is some sort of answer to the hyper realism used in the Peter Jackson movie adaptations?

I really enjoyed The Lord of The Rings trilogy films when they were first released, and I must have seen them countless times. Perhaps young children would not be able to see the films as some of the violent scenes may be too scary, so I hope that my illustrations can offer an alternative less graphic way to enjoy The Hobbit visually.