I live in Antwerp and work as curator in the Flemish Literary Archives. I discovered Tolkien in 1973 (I was 16 then) when I found The Hobbit (in the Dutch translation) under the Christmas tree. I was not sure if I wanted to read it, but as we had to go to my grand parents I started to read, only to stop when it was finished the next day. And a week later, with the money I received for New Year I bought The Lord of the Rings. I also bought the other Dutch books, and the English originals, and started collecting information on Tolkien for papers and readings. I also turned the yearly holiday camp into Middle-Earth.
Tolkien was also one of the reasons why I started Germanic Philology at the University, which I finished with a thesis on fantasy as a literary genre.
An important moment was in 1979 when I bought Fosters Complete Guide to Middle-Earth, where I found the address of the Tolkien Society, of which I became a member immediately. They had no Tolkien Trading at that time, nor a Malcolm, but you could order books at the Church House Bookshop. They had most Tolkien titles in stock. And so my Tolkien collection grew steadily, although I never thought about collecting Tolkien systematically. In every second hand bookshop I looked for Tolkien, not only in Belgium, but also when I was abroad. The weak point was that I also collected records, and fantasy, and books tout court.
And then 1992 came near, and I got the opportunity to make an exhibition on Tolkien in the Museum part of the Literary Archives. I used my collection as a backbone, borrowed the collection of a friend (who ran a fantasy magazine Hexa in the early eighties), bought extra material to fill in the most important gaps, and then contacted several artists who all sent in original works. The exhibition was an big success, not only for the public, but also in the press. I even made three appearances on television.
From then on I started to collect more Tolkien things, and I tried to bring some system in it. It never really worked. I said to myself: I will collect only illustrated translations, but I soon had more translations that were not illustrated. And I didn’t want to collect tolkiencalendars, but I now have at least one for every year.
There is one thing I really want to have: every edition in Dutch, but not every printing. If nothing has been changed, I don’t buy it. I don’t want ten times the same hobbit-cover. For the rest my only criterion is: would it be useful in an exhibition (apart from: can I afford to buy it.)
It depends on how you count. I have a lot of ephemera, and a lot of magazines, posters, puzzles, etc. And a wall 4 x 3 meters) full of books. I also have a big fantasy collection, but I finished collecting that in the nineties.
I can’t say that I have a greatest find. I have a few hard to find things like the French Maitre Gilles de Ham, with the translation of an early version of Farmer Giles, and the first print of the Dutch translation with dustwrappers. And an early boxed edition from 1960. But I could tell a lot about my misses. Like the first print of LotR I saw in 1988 in Cambridge for 300 £, the Linguaphone records I even had in my house, but I gave them back to the owner, because I thought them too expensive.
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I have a very double feeling about collecting. I have always collected a lot of different things, especially books on different subjects, and that takes up a lot of place in the house. All my 33T records (some 1600) are now in the basement. I don’t play them, but I can’t do them away either. Collecting is sometimes seen as an investment, but I cannot imagine that I will sell those items that have really become expensive. On the other hand: I never spend too much money on my books.
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